Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features—everything you need to make any kind of music.
Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.
The Live 12 Suite trial includes all the features of the full version, including saving and exporting. You can use it alongside your current version of Live.
In Live’s Session View you can freely mix and match musical ideas without the constraints of a timeline. Getting ideas down is lightning fast, and it’s the ideal place for improvisation. You can play MIDI and audio loops of different lengths in any combination, without ever stopping the music.
The Arrangement View is where you can organize music along a timeline. Record multiple passes of an audio or MIDI performance into individual takes. Find the best parts of each and stitch them together for the desired final result.
Develop an initial idea or organize your parts to create the right musical flow for your track. You can also simply record everything you do in the Session View into the Arrangement to improvise your way to a finished song.
Whatever shape inspiration takes, Live gives you the means to seize it. Record hardware synths, software plugins, drum machines, guitars or any audio from the real world. You can now use Capture MIDI to record notes after you’ve played them, turning your most spontaneous ideas (and accidents) into music. And there’s Live’s audio-to-MIDI features, which let you turn drum breaks, and melody or harmony parts into MIDI patterns that you can edit and reuse with your own sounds.
One of the things that makes creating with Live so fluid is the ability to change the tempo and timing of any audio, in real-time, without stopping the music. We call this warping. Use warping to mix and match loops from a variety of tempos, fix timing errors in recorded performances, or radically reshape any audio into new sound design directions.
Live’s native devices are the foundation of sound design in Live, including wavetable, FM and physical modeling synthesis. Flexible synthesis architectures with intuitive interfaces make deep programming more accessible. And you get more out of your samples with Live’s pair of sampling instruments, thanks to built-in slicing and warping capabilities, multisampled playback and much more.
Live comes with the devices you need for sparking ideas and shaping your sound. Use Live’s MIDI effects for creative manipulation of your compositions. Or use Live’s audio effects to get the sound you’re looking for: clean up your mix with precision tools, or make a creative mess with analog-modeled noise, distortion and saturation.
Glue Compressor – Analog-modeled compressor based on the classic bus compressor from a famous 80s mixing console.
Amp – Emulates the sound and character of seven classic guitar amplifiers.
Looper – Records, loops and overdubs audio, based on classic hardware looping pedals.
Spectral Resonator – A sound mangling device that can make anything passing through it sound completely unlike the source material. Use the MIDI sidechain input to process material in key with its surrounding musical elements – like playing an effect as if it were an instrument.
Hybrid Reverb – Combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality.
Echo – The sound of classic analog and digital hardware delays in a single device.
EQ Eight – Eight parametric filters with a variety of controls for shaping timbre.
Spectrum – Realtime analysis and visualization of incoming audio.
Scale – Remaps incoming MIDI notes to different outgoing MIDI notes.
Arpeggiator – Takes individual notes from a held chord and plays them as a rhythmical pattern.
MPE Control – Adjust Live’s response to MPE information from your MPE controller.
Upright Piano
Brass Quartet
String Quartet
Voice Box
Mood Reel
Drone Lab
Drum Booth
Chop and Swing
Skitter and Step
The sounds for making any kind of music are part of Live. The Core Library—included with all editions of Live—comes with rich collections of vintage synths, analog drum machines, multi-sampled drums, electric pianos and other acoustic instruments. Plus there are Curated Collections, toolkits of curated sounds from selected scenes—Instrument Racks, clips and samples, designed to be molded and shaped into something new.
Use Live to pull your show together. Control external hardware, integrate outboard effects or mixing desks. Improvise on your own, resample sounds in real-time, or process audio played by others. If you’re playing with multiple music applications, our technology Link can keep multiple devices in perfect time over the same network.
One of the things that makes Live so ideal for performance is its flexibility. You can design your own unique combinations of instruments and effects, and use up to 16 Macro knobs to control any number of parameters. Find settings you like and save them as Macro snapshots for instant recall.
On stage you can trigger, resequence and remix your music in real time. And use flexible MIDI mapping to set up almost any part of Live for hands-on tweaking with your controller.
Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. When you DJ, you can even turn Live into a tempo-synced FX box.
Whether they’re on-stage solo or as part of a band, artists depend on Live for orchestrating their performances. Some even go beyond sound: using Max for Live to control visual projections or light installations in sync with their music, connecting to sensors and much more.
Max for Live is a software platform that powers a range of Live’s instruments and effects. You can use it to customize devices, create your own from scratch and even change the way Live works. Or open up a world of possibilities and connect to lights, cameras, sensors, surround sound setups and more.
Push is the best way to get hands-on with Live. Compose beats and melodies, slice samples and sculpt sounds. Mix your music and compose entire tracks, all without thinking about your computer. And each update to Live brings new features that mean ever closer integration with Push.
Note is an iOS app for starting new musical ideas. Find your direction using drum kits, melodic instruments and synth sounds from Live. Or use your phone’s microphone to record the sounds around you into Note’s sampler instruments. Then use Ableton Cloud to send your Note set directly to Live, and pick up where you left off.
Expand your setup and collaborate with others using Link. The technology syncs timing over a network connection, so it’s easy to play Live with software like Reason, Serato and an ever-growing number of iOS apps.
Capture ideas wherever you are and take them further in Live—use the new Export Live Set feature, now in a number of iOS apps.
Live is even better when it’s hands-on. Map knobs, faders and buttons to control nearly any parameter. Live works with any MIDI controller and includes instant mappings for a growing number, for instant playability.
Analogik Bundle
BeatSeeker
Future Beat
Iota
OSCiLLOT
MidiVolve
Orchestral Ensemble Essentials
Japanese Taiko Percussion
Tricky Traps
Packs are add-on instruments, effects, loops and sample collections for use in Live. Each Pack is custom-made by premier sound designers, and the contents of the Packs are ready to use, license-free, in your own musical projects.
Live users from all over the world create amazing things and share what they know. Here’s a taste of what they’ve been up to lately.
