Build a Top Bass Layer - More DnB Production Tips from DJ Fracture and Producertech
Part two of DJ Fracture's series for Producertech on making drum and bass covers the top layer of a bass sound.
Part two of DJ Fracture's series for Producertech on making drum and bass covers the top layer of a bass sound.
J74 / Fabrizio Poce presents a set of free Max for Live devices for making MIDI chords and harmonies.
Put some pop and swing in your programmed drum patterns, with a new tutorial for AskAudio Magazine from Certified Trainer Noah Pred.
Make a chilling, atmospheric pad sound using Analog and Live 9's effects.
Tips on DJing with Live and moving from Session to Arrangement from Pyramind and Beatport.
TV on the Radio-singer, actor, and director Tunde Adebimpe shares his experiences studying Ableton Live at Dubspot - including a live performance at a User Group meeting.
Point Blank presents two intimate looks at the studio workflows for two Berlin-based artists, Exercise One and Heartthrob.
Interview with Time Shiel on Soundtracking the iOS game Duet as on large Live Set, selecting sounds, and making music that reacts to a player's actions.
Play scales according to Push’s scale mode, tap out drums on Push’s velocity-sensitive pads or go in deeper to tweak parameters straight from Push’s touch-sensitive knobs. We’ve put together a few videos to show you the potential of Push for a fresh perspective on working with hardware.
Whether you are building hi-tech weapon effects for a blockbuster sci-fi shooter, designing robotic articulations for a futuristic animated feature film, or creating complex layered transitions for a cutting edge electronic music project, Glitchmachines Microsphere delivers an extraordinary palette of sound that will take your productions into uncharted territory.
Learn about a new course form Producertech and DJ Fracture - making Drum and Bass with Live 9.
Interview with Controllerist artist Moldover on software, controllers, and playing the recorder with one's nostrils.